mots clés : PHOTOGRAPHIE; libraire : Librairie Chloé et Denis Ozanne Déesse sarl
Terre
1936 Paris Denoël et Steele, 27 novembre 1936. 294x238mm, 96 pages non paginées, pleine toile de l’éditeur titré au dos et sur le plat, couverture et dos conservés.Edition originale composée de vingt textes, illustrés de trente photographies reproduites en héliogravure de Luc Dietrich.Écrivain, ami de René Daumal, disciple de Gurdjieff, Dietrich avait appris la photographies avec André Papillon.Il nous gratifie d’un livre atypique, étrange et sensible qui finit par un étonnant conte.Un des 112 exemplaire de tête (n°84) sur Hollande Van Gelder, seul grand papier.(104101)
RINEKE DIJKSTRA: PORTRAITS
2001 Ostfildern, Hatje Cantz Verlag/The Institute of Contemporary Art, Boston, 2001, 235x175mm, 112 pages, 36 color plates. Illustrated paper over boards. - First edition. In publisher’s shrink-wrap. Published on the occasion of the 2001 exhibition Rineke Dijkstra: Portraits, curated by Jessica Morgan, at The Institute of Contemporary Art, Boston.
PHOTOWORK(S) IN PROGRESS/ CONSTRUCTING IDENTITY
1997 (EXHIBITION CATALOGUE)Gent, Snoeck-Ducaju & Zoon, 1997, 288x250mm, 128 pages, numerous color and b/w plates. Black printed cloth. Illustrated wrappers. Text in Dutch and English.First edition. A catalog of the exhibition held in the Dutch Photography Institute (NFI) in 1977. Other works exhibited by Wendy Ewald, Deirdre McCloskey, Paul Seawright, Gosewijn van Beek and Anil Ramdas.
DE VIERDE WANDde foto als theater/ The fourth wall: photography as theatre
1991 (EXHIBITION CATALOGUE)Amsterdam, Fragment, 1991, 210x210mm, 172 pages, numerous illustrations in b/w and color. Stiff illustrated wrappers. Very good copy. First edition. Catalogue of an exhibition organized by Divendal and Victor Levie.Signed by Divendal (page 11).
Wij zijn ook zeventien
1956 Nijmegen; Gottmer’s, 1956, 233x147mm, 48 pages, 27 photographic illustrations in b/w. Illustrated wrappers. Wrappers with folding traces at corners. Inside fine.First edition. A photographic reaction on van der Keuken’s We are 17.
Ger van Elk
1980 Rotterdam, Museum Boymans van Beuningen, 1980, 210x265mm, 96 pages, numerous illustrations. Text in English, French, German and Dutch. Stiff illustrated wrappers. First edition. Exhibition was held in Basel, Paris and Rotterdam. Van Elk certainly was the post war period (early seventies) among the first to experiment in a new way with photography. In a general questioning of the image he brought together painting and photography and very often he did so in a very recognizable and humoristic way. He frequently used staged photography, photographic cut outs that he re-used in his paintings. He also extensively experimented with ‘the frame’ and other material aspects related to both photography and painting. This catalogue is a nice introduction in these aspects of his work.
Ger van Elk La Biennale di Venezia 1980
1980 Amsterdam, Visual Arts Office for Abroad, 1980, 210x297mm, 43 pages, numerous illustrations in b/w and color. Illustrated wrappers. Design Jan van Toorn.First edition.
Amsterdam?
1984 Amsterdam: Bert Bakker, 1984. Mini pocket size, 96 pages, many illustrations of which some in color. Text in Dutch, English, German and Japanese. Blue illustrated wrappers. Design Rick Vermeulen en Gerard Hadders (HW).First edition.
Are you famous? la grande parade in het Stedelijk Museum Amsterdam
1985 Amsterdam, Meulenhoff/Landshoff, 1985, 150x105mm, 96 pages, illustrations throughout. Illustrated wrappers. First edition. Van der Elsken takes pictures during opening festivities of ‘la grande parade’, organized at the occasion of Edu de Wilde leaving the Stedelijk Museum
Das echte Afrika
1959 Hamburg, Hoffmann und Campe Verlag, 1959, 274x210mm, 176 pages with 141 gravure illustration of which 11 in color. Black cloth. Illustrated wrappers. Fotos aus Äquatorial Afrika von Ed van der Elsken. Minor chips missing to top and bottom of spine and very lightly edge worn, but a very good copy. Design Jurriaan Schrofer.First German edition of Bagara, complete with booklet pasted inside back cover, that contains an interview between the Dutch filmmaker and journalist J. Vrijman, who traveled together with van der Elsken.
Een liefdesgeschiedenis in Saint Germain des Prés
1956 Amsterdam, De Bezige Bij (1956), 270x200mm, 116 pages, 216 photographic illustrations. Black paper over boards. Wrappers missing. Design Jurriaan Schrofer.First edition.
Nederlands Dans Theater
1960 Amsterdam, Bruna (Zwarte Beertjes), (1960), 175x115mm, 36 pages of which 32 with wonderful gravure plates. Stiff illustrated wrappers. First edition. This booklet was made as one of the programs for the performances made in 1960. A thinner version from the Dans Theater edition. This copy with (it seems) annotations in pencil of one of the dancers of the group.
Sweet life
1966 Amsterdam, Bezige Bij, 1966, 300x303mm, 182 pages and 154 gravure plates. Cloth. (PBC 75; Parr 254, 255)First edition. ‘Sweet life was the report of a world tour through Africa, Asia and America. Van der Elsken took charge of the design of the book himself. Similar to Jurriaan Schrofer’s book Bagara, most of the photographs crossed the gutter on a double page. Van der Elsken made deliberate use of the fact that the gutter in the page cuts the picture in two. In a photograph of Japanese Sumo wrestlers two men are standing facing each other in a fighting pose, surrounded by other wrestlers. The idea of a fight is strengthened in the picture by the fact that the gutter comes precisely between the two men, dividing the spectators also into two groups. A photograph that crosses the gutter like this is often experienced as disturbing because the picture is split in two. The advantage is that a photograph can be blown up to enormous proportions - in Sweet Life even to a size of 60 x 30 cm. There is a close-up, for example, in the book of Kasahara, one of the directors of Sony, displaying two transistor radios. His head and hands are reproduced larger than life, which gives the viewer the feeling of a direct confrontation. Sweet Life was Van der Elsken’s last photobook for the Bezige Bij.’(PBC 75)
Amerika in termijnen. Een ademloos verslag uit de USA
1967 Amsterdam, Polak & Van Gennep, 1967, 200x125mm, 174 pages, 20 photographic plates. Near fine copy. Design Kees Nieuwenhuijzen. First edition.
Recreation: American Photographs 1973-1988
Göttingen Steidl 2005 280x430mm Hardcover with dustjaket Envoi autograpge signé et daté 2005.
Neuf
Nul De werkelijkheid als kunst funderen. De Nederlandse groep Nul 1960 -1965.
1993 Stuttgart, Cantz, 1993, 300x300mm, 153 pages, numerous illustrations. Stiff printed wrappers. Text in German and Dutch.First edition. A history of the Dutch section of the international Zero movement: Jan Hendrikse, Armando, Henk Peeters andJan Schoonhoven.
Motives
2002 Text in English & Dutch. Rotterdam: NAi / Museum Boijmans Van Beuningen, 2002, 240x202mm, unpaginated, numerous illustrations, Stiff illustrated wrappers. Near fine copy. First edition. Book published at the occasion ‘fotodocs’ in the Museum Boijmans van Beuningen Rotterdam. An overview of her work from the period 1994 – 2002. Essays by Frits Gierstberg, Maaike Bleekers, Frank van de Veire.(103980)
Style Forms Function
1992 Amsterdam, Stedelijk Museum, 1992, 225x200mm, 72 pages with 18 photographic illustrations in black and white. Illustrated paper over boards. Very nice copy of an ineresting catalogue. Foreword by Wim Beeren. Design of the exhibition by Borek Sipek. First edition. From the catalogue: ‘Olaf’s photography derives their credibility from the combination of distance and theatricality, from a sometimes almost sociological outlook and a love of effect, from strict image construction, and from the registration of seemingly casual but significant details. A fascinating balance between staging and reality.’(103989)
4th Dimension
1982 Amsterdam, ABN-gallery, 1982, 133x120mm, 15 leporellos, each leperello with a sequence of images. Sequences have differ in number of images (2 – 11 images per sequence). Lighlty soiled but good. First edition. This copy inscribed in 1982 by Margot Pilz on first text page, and signed on the rear. Margot Pilz is Duch born and lives in Austria.(103994)
The First Twenty Years. Sequences, Portraits, Projects.
1989 Haarlem, Joh. Enschede en Zonen, 1989, 245x305mm, unpaginated, numerous illustrations. Grey blind stamped cloth. In cardboard slipcase. Fine copy. First edition of this catalogue published on the occasion of an exhibition in the Beyerd gallery in Breda. One of 150 copies with 1 original signed and numbered photograph added.(104009)
TRIDI
Avrainville Tridi 1970 1 Avrainville, sans date, (1970), 210x270mm, 58pp+une feuille hors texte imprimée sur papier calque, 1ff. de publicité, broché. Catalogue illustrée de la maison Tridi qui proposait des maisons modulaires, avec la liste des collaborateurs et de nombreuses illustrations de réalisations. Participations de J.H. Riedberger architecte, Bruynzeel , Saint Gobain, Marc Halperin structures cinétiques, entre autres. Couverture un peu usée.
Broché
Image Nr. 1(seul paru)
1976 Halle f r Internationale neue Kunst (MGB)., 1979, 490x330mm, 12p., en feuilles.Numéro unique conçu par Feldmann à l'occasion de son exposition à InK, Halle f r Internationale neue Kunst in Zürich. Illustrations par des images photographiques en noir et blanc trouvées dans diverses publications. L'artiste devait par la suite se retirer du milieu de l'art pour une dizaine d'années.Quelques défauts.Werner Lippert, Das Museum im Kopf, König, 1989, p.137-140, reproduit. (104103)
Nachten van Parijs
1957 Utrecht, Bruna, 1957, 175x115mm, 60 text pages, 112 gravure plates. Illustrated wrappers. First edition.
Blinde verrassing
1993 Amsterdam, Fragment, 1993, 247x280mm, 50 pages, 23 plates. Grey cloth binder with pasted on illustration. Design by Gert Kootstra and Peter Dees. (Tel Design)First edition. A collection of rather absurdist theatrical staged photographs. Loosely laid a strip of a contact-sheet.
Regarding Nature / Natuur in Almere
2001 Amsterdam, De Verbeelding, 2001, 305x215mm, 63 pages, 28 illustrations in color. Illustrated paper over boards. Text in Dutch by Hans Aarsman.First edition. Photographs taken in the polder of Almere, where a new eco system started to develop.
